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PARRY MANSION VIRTUAL MUSEUM
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SCAN QR CODE TO ACCESS
WITH YOUR MOBILE DEVICE
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Welcome to Parry Mansion Virtual Museum


Step into the Parry Mansion, where each corner tells a story of historical elegance and architectural grandeur. Discover beautifully preserved rooms that showcase distinct periods of American history and design. We invite you to explore at your own pace, uncovering the unique character and heritage of each space. Enjoy your journey through time in the Parry Mansion.



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Swipe to Explore
the immersive rooms
HTMLText_37B36CDA_0F36_B542_4183_101ECC94BAFB_mobile.html =


Tap to Discover
the historical objects
HTMLText_7DB402F7_0454_9C07_4183_374EF6A90965.html =
Welcome to Parry Mansion Virtual Museum


Step into the Parry Mansion, where each corner tells a story of historical elegance and architectural grandeur. Discover beautifully preserved rooms that showcase distinct periods of American history and design.
HTMLText_498416E8_0FF4_176C_4197_DC6EBDA5DB23.html =
Welcome to Parry Mansion Virtual Museum


Step into the Parry Mansion, where each corner tells a story of historical elegance and architectural grandeur. Discover beautifully preserved rooms that showcase distinct periods of American history and design. We invite you to explore at your own pace, uncovering the unique character and heritage of each space. Enjoy your journey through time in the Parry Mansion.



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Thank You for Visiting the Parry Mansion


We hope you enjoyed exploring the rich history and timeless beauty of each room. Your tour has now come to an end, but feel free to continue exploring the mansion at your own pace, or consider supporting our preservation efforts. We appreciate your time and support!
HTMLText_6824E6E3_28E1_5422_41AF_95C47596FBF5.html =
Welcome to Parry Mansion Virtual Museum


Step into the Parry Mansion, where each corner tells a story of historical elegance and architectural grandeur. Discover beautifully preserved rooms that showcase distinct periods of American history and design.
HTMLText_0517E912_FFFD_4F18_41E4_C8FC1115BEA4.html =
Welcome to Parry Mansion Virtual Museum


For better experience, please use your mobile phone to scan this QR Code below.
HTMLText_37B36CDA_0F36_B542_4183_101ECC94BAFB.html =



Swipe to Explore
the immersive rooms
HTMLText_5C4B61F6_0FF7_ED67_4198_727A201E3949.html =



Tap to Discover
the historical objects
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Chandelier


Waterford


This brass and crystal chandelier, ca. 1850, includes Waterford crystal glass shades and is now electrified.
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Randolph Coat of Arms


Jamais Arrière


A large print of the Randolph family Coat of Arms. This can be translated to "Never Behind".
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Soap Holder




This soap holder is all that remains of the original bathroom, before being transformed into the children's bedroom.
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00 Entrance Hall (1775-1800)




The entrance hall represents the earliest period of the house, 1775-1800. The layout is classic Georgian style, with the large center hall and rooms on either side.


The front and back door retain their original hardware and locks. The sisal carpeting on the stairs and upper hall was a popular 18th century form of floor covering.


The art on the walls has changed over the years, reflecting the many generations who lived here.
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01 Waiting Room


Dr. George Parry (1839-1893)


We are not certain of the original function of this room and it is not decorated in any style or time period. Based on research we believe it was used by Dr. George Parry as a waiting room for his patients.


The room served as a Library when the Mansion was renovated by the New Hope Historical Society and today is used as an Exhibit Room by the Society.
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02 Dining Room (1825-1850)


Empire Period


The Dining Room is furnished in the Empire style.


The Empire style originated in France during the rise of Napoleon Bonaparte. It is known as a more opulent and grander style. Duncan Phyfe also made furniture in this style, moving from the Federal style to Empire style.


This room was the original kitchen but converted to a Dining Room when an addition was added to the Mansion ca. 1830. A large walk-in fireplace is behind the wall of the existing coal stove.
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03 Drawing Room (1800-1825)


Federal Period


The Drawing Room, also known as the Federal Parlor, is furnished in the Federal style.


The Federal style is uniquely American. Furniture makers during this period created popular styles of their own, including, among others, Hepplewhite, Sheraton, Adams, Duncan Phyfe.


This room was the original dining room of the Mansion.
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04 New Kitchen


Colonial Period (1775-1800)


The original Parry Mansion was built in 1784 with the original kitchen being where the Dining Room is now.


Needing more space, an addition was added ca. 1830. This addition housed the "new" kitchen and a room above. After the New Hope Historical Society purchased the Mansion, this new kitchen was furnished with many objects and kitchen tools that would have been used in the original kitchen.


Working in a kitchen like this was very dangerous and burns were frequent. Women handled the majority of the cooking and woolen skirts were common even in the summer as wool was less flammable.
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05 Music Room (1850-1875)


Victorian Period


This was an age of rich, dark colors with a tendency towards overcrowding of furniture and decorative objects. There was also a Gothic Revival during this time, sometimes called Victorian Gothic or neo-Gothic .
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06 Federal Bedroom (1800-1825)




This room is by no means the grandest room in the house as it has the smallest fireplace but contains the only closets in the home.


Benjamin Parry and Jane Paxson had four children, three girls and one boy. The girls never had any children.


The line descends from Oliver, who with his wife, Rachel, went on to have 12 children. Rachel herself was the youngest of 15 children.
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07 Colonial Bedroom (1775 - 1800)


Benjamin Parry's Office


This room is now furnished as an early bedroom, but it is believed that Benjamin Parry used it as an office. Workers from his Mill, now the Bucks County Playhouse, would come up the back stairs to collect their wages.
After his Mill workers were paid, they could then go shopping across the street at the General Store, also owned by Benjamin, and now Farley’s Bookstore. From these windows he could see the activity of his businesses.


Benjamin married Jane Paxson in 1787, a local woman from a prominent family.


The US capitol was still located in Philadelphia at this time, and Benjamin Parry and Jane frequently traveled back and forth by carriage from New Hope to Philadelphia.


Benjamin also owned a flour-exporting business in Philadelphia that was located just one block from Benjamin Franklin’s home.
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08 Children's Bedroom (1875 - 1900)




This was the first bathroom in the house, installed around 1940.


Prior to that, there were outhouses on the side of the house next to the Aquetong Creek.


Plumbing came late to New Hope, not until around 1938. When the Historical Society came into ownership of the house, it was refurnished to depict a child’s bedroom.


We assume it was originally a small bedroom before becoming the bathroom.
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09 Victorian Bedroom (1850 - 1875)




This Victorian bedroom is much brighter and lighter than the corresponding parlor downstairs.


The classic floral design fitted carpet, the wallpaper, and delicate lace window curtains are reproductions made from original designs of the period.


By this time, the twelve children of Oliver and Rachel Randolph Parry (and Benjamin’s grandchildren) were grown and busy making their way in the world. Some becoming local doctors or bankers in the Midwest and starting families of their own.


They would often come and go between Philadelphia and New York as their travel schedules allowed. Fourth-generation sisters, Gertrude and Adelaide lived in the mansion as full-time residents.
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10 Empire Bedroom (1825 - 1850)




The décor and furniture in this room are similar to those in the Dining Room downstairs.


The Parry’s were moving around quite a bit by this time. By this point, the Mansion functioned largely as a weekend home for the family.
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A Wake


Oliver Randolph Parry (1873-1958)


Oliver Randolph Parry was an Architect. He spent most of his adult life living in Philadelphia. After the death of his second wife in 1938, he returned to New Hope and moved back to his boyhood home, the Parry Mansion.


His wake was held here with his casket placed in this room.
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Bake Oven




This oven has a small iron door and is located in the upper left of the hearth. The door is adorned with an eagle. Bake ovens were used for baking bread, pies and cakes.
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Bedside Table


Cherry Table with Drawer


Cherry table with one drawer, ca. 1790. The maker is unknown but at appraisal it was noted to have been Pennsylvania made.
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Benjamin Parry's Book


Goodsmith's Animated Nature


On top of the cherry bedside table is a book that belonged to Benjamin Parry. The book, Goodsmith's Animated Nature, is signed by him and dated 1796.
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Benjamin Parry's Book


Goodsmith's Animated Nature


On top of the cherry bedside table is a book that belonged to Benjamin Parry. The book, Goodsmith's Animated Nature, is signed by him and dated 1796.
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Benjamin Parry's Book


Goodsmith's Animated Nature


On top of the cherry bedside table is a book that belonged to Benjamin Parry. The book, Goodsmith's Animated Nature, is signed by him and dated 1796.
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Benjamin Parry's Clock


Restored Heritage Timepiece of New Hope's Founding Father


The recently acquired grandfather clock is a significant historical piece originally owned by Benjamin Parry, the "Father of New Hope."


This 200-year-old clock, which had been removed from the home almost six decades ago, was reacquired via a generous donor and restored.


The rededication of this clock was part of the 2024 Benjamin Parry Day celebration, marking an important event in the home’s recent history.
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Benjamin Parry's Desk


Chippendale Mahogany Secretary


This secretary desk, ca. 1810, has a short front base with four drawers and bracket feet. The desk folds down onto two side arms, which are located on the first drawer.


The left door has a note, written by Richard Randolph Parry, which states, "My Grandfather's Benjamin Parry's Secretary".
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Benjamin Parry's Travel Desk


19th Century Laptop


A light brown portable desk, ca. 1800, was used by Benjamin Parry while creating new innovations.


Upon opening the top cover, the desk reveals a series of compartments and a radiant green baize (finely woven wool) writing surface. The baize acts as a cushion for the quill, allowing ink to flow more evenly on to the paper.


This allowed Benjamin Parry to easily work while traveling between his mills and other business interests.
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Benjamin Parry's Travel Desk


19th Century Laptop


A light brown portable desk, ca. 1800, was used by Benjamin Parry while creating new innovations.


Upon opening the top over, the desk reveals a series of compartments and a radiant green baize (finely woven wool) writing surface. The baize acts as a cushion for the quill, allowing ink to flow more evenly on to the paper. This allowed Benjamin Parry to easily work while traveling between his mills and other business interests.
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Benjamin Parry's Travel Desk


19th Century Laptop


A light brown portable desk, ca. 1800, was used by Benjamin Parry while creating new innovations. Upon opening the top cover, the desk reveals a series of compartments and a radiant green baize (finely woven wool) writing surface. The baize acts as a cushion for the quill, allowing ink to flow more evenly on to the paper. This allowed Benjamin Parry to easily work while traveling between his mills and other business interests.
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Bible


Rachel Randolph Parry


This bible was originally presented to Rachel Randolph Parry, by her father Edward Fitz Randolph. It is now encased in an embroidered cover, with Oliver Randolph Parry's initials.
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Dough Trough


And Table


Originating in Europe, these tables are credited to arriving in this country by the Pennsylvania Dutch in the 1700s. This pine table is ca. 1810 and is thought to have been made in Carversville, PA.


The dough trough was filled with ingredients, then the kneading and rising would follow several times. After the final rise it was shaped and put in the oven to bake.
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Early Toaster




This iron toaster from the early 18th century could toast multiple pieces of bread at once.


Bread slices would be inserted and the toaster moved close to the fire. Almost all bread during this period, except freshly baked, was toasted.


This was prior to preservatives and toasted bread was a way to prevent it from going bad.
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Empire Coal Stove


New Heating System


This opulent coal stove is adorned with an American Eagle. It was made by Low & Leake, ca. 1845.


This coal stove, like all those in the home, was installed in the original fireplace and greatly improved the home's warmth.The majority of the heat from a fireplace goes out directly in front of the fireplace, leaving the rest of the room fairly cold.


Coal stoves allowed more heat to radiate to a larger area. During this time coal was becoming very popular and the stoves more highly decorated with intricate ironwork.
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Gentlemen's Travel Set


General Jose de la Mar


This travel set is reminiscent of a typical travel set during this period. It contains all that a gentleman would need for personal grooming and comfort.


This set has an engraved plate showing the name General Jose de la Mar. He was a prominent Peruvian military leader and politician, serving as the third President of Peru from 1827 to 1829.


Before his presidency, he was involved in the Spanish War of Independence against Napoleon.
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Gilt Convex Girandole Mirror


New Lighting Invention


Girandole mirrors have projecting curved arms for holding candles. This new design increased the light by having the candles reflected in the mirror.


In addition, the convex shape of the glass causes light rays to spread after reflection. Many were topped with an eagle finial as is this one. This mirror is ca. 1810.



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Gold Frame Painting


Restored Heritage Timepiece of New Hope's Founding Father


The recently acquired grandfather clock is a significant historical piece originally owned by Benjamin Parry, the "Father of New Hope."


This 200-year-old clock, which had been removed from the mansion over six decades ago, was recovered and restored to its original location.


The rededication of this clock was part of the celebrations for Benjamin Parry Day, marking an important event in the museum’s recent history
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Jane Paxson Parry's Footstool


Small Wooden Footstool


A small, wooden footstool, which belonged to Jane Paxson Parry. Underneath the base, there is a note by Richard Randolph Parry, which states, "Jane Paxson Parry Born January 24 - 1767 Wife of Benjamin Parry Born March 1st = 1757".
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Map of Parry Family Properties


Parry Holdings


This map was created by Benjamin Parry himself and is dated 1798. It focuses on all of the properties owned by the Parry family, located in Bucks County, New Hope, Pennsylvania.
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Parry Bed


Secret Compartment


This bed, ca. 1840, was moved from Oliver and Rachel Randolph Parry's house in Philadelphia, PA to the Parry Mansion.


The posts had to be cut down to fit this room. According to Parry family legend, there is a secret compartment hiding within this bed. However, we have not yet been able to solve the mystery.
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Parry Coat of Arms


Gofal Dyn Duw Al Gwerid


A large print of the Parry family Coat of Arms. This can be translated to "A Prudent Man God Will Guard".
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Parry Trunk


R & J PARRY. NEW HOPE BUCKS CO.


A large, leather Parry trunk, with a missing handle. This trunk originally had a canvas cover, stamped "R & J PARRY, NEW HOPE BUCKS CO."


This trunk was believed to have belonged to Ruth and Jane Parry, daughters of Benjamin and Jane Paxson Parry.


The sisters were unmarried and moved out of Parry Mansion in the winters, moving to a rooming house in Lambertville.


The trunk was later used by other members of the Parry family.


A travel tag was located in the trunk and is estimated to be from late 1800's. It is addressed to a descendent of Oliver Randolph Parry and states:


"For Oliver P. Tatum Jr.
1823 Arch St.
Phila
c/of Dr. T. Mason McCollin
From MARIS BROTHERS
Cranes, Portable Hoists, Overhead
PHILADELPHIA, PA"
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Parry Trunk


R & J PARRY. NEW HOPE BUCKS CO.


A large, leather Parry trunk, with a missing handle. This trunk originally had a canvas cover, stamped "R & J PARRY, NEW HOPE BUCKS CO."


This trunk was believed to have belonged to Ruth and Jane Parry, daughters of Benjamin and Jane Paxson Parry. The sisters were unmarried and moved out of Parry Mansion in the winters, moving to a rooming house in Lambertville. The trunk was later used by other members of the Parry family.


A travel tag was located in the trunk and is estimated to be from late 1800's. It is addressed to a descendent of Oliver Randolph Parry and states, "For Oliver P. Tatum Jr.
1823 Arch St.
Phila
c/o Dr. T. Mason McCollin
From MARIS BROTHERS
Cranes,Portable Hoists,Overhead
PHILADELPHIA, PA."
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Parry Trunk


R & J PARRY. NEW HOPE BUCKS CO.


A large, leather Parry trunk, with a missing handle. This trunk originally had a canvas cover, stamped "R & J PARRY, NEW HOPE BUCKS CO." This trunk was believed to have belonged to Ruth and Jane Parry, daughters of Benjamin and Jane Paxson Parry. The sisters were unmarried and moved out of Parry Mansion in the winters, moving to a rooming house in Lambertville. The trunk was later used by other members of the Parry family. A travel tag was located in the trunk and is estimated to be from late 1800's. It is addressed to a descendent of Oliver Randolph Parry and states,
"For Oliver P. Tatum Jr.
1823 Arch St.
Phila
c/o Dr. T. Mason McCollin
From MARIS BROTHERS
Cranes,Portable Hoists,Overhead
PHILADELPHIA, PA."
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Porcelain de Paris Dining Set


Oliver Parry (1794-1874) and Rachel Randolph Parry (1804-1866)


In the corner of this room near the cupboard, you can see a section of the floor that has been cut away.


In earlier times, this served as a trap door, that led to a cellar stairway where preserves were kept by Jane Paxson Parry.


We also believe the stairway led to a modest wine cellar for Benjamin Parry. Examination of this spot in the basement confirms the door cutout, but the stairway is long gone .
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Portrait of Ann Croasdale Jouet Williamson


Ann Croasdale Jouet Williamson (ca. 1788-1853)


Ann Croasdale Jouet Williamson (name variation includes Anne Crossdale) was married to Issac Halstead Williamson. He was the Governor of New Jersey and served from 1817 to 1829. This oil on canvas painting is dated 1816. Artist unknown.
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Portrait of Benjamin Parry


Benjamin Parry (1757-1839)


This portrait represent the first generations of the Parry family who lived here. The artist is unknown, but it is believed to have been created between 1826-1827. Benjamin's portrait is a watercolor.
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Portrait of Jane Paxson Parry Maule (1899-1989)


Parents Charles Maule and Elizabeth Randolph Parry


Ann Garrett Hudgins
American Artist, 1897-1972


Jane Paxson Parry Maule, 1924
Oil on canvas


This painting was exhibited at the Annual Exhibition, 1926, Pennsylvania Academy of the Fine Arts, Philadelphia, PA.


Jane was 24 years old at the time of this portrait and married to George Willcox McIver Jr. Both her maiden name and married name are on the back of the portrait.


Her second marriage was to Drummond W. Little.
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Portrait of Margaret Parry Lang (1901-1985)


Parents Oliver Randolph Parry and Lida Mae Kramer


John Fulton Folinsbee
American Artist, 1892-1972


Margaret Parry Lang, Date Unknown
Oil on canvas


Margaret Parry Lang was the last Parry descendant to live in Parry Mansion. She sold the Mansion to the New Hope Historical Society in 1966.


John Folinsbee lived in New Hope, PA from 1916 to 1972. He and his wife, Ruth, participated in the founding of the Phillips' Mill Art Association in 1929.


He is considered a member of the group of Impressionist painters now known as the New Hope school. Primarily a landscape painter, he also did portraits.


Several museums own or have exhibited his paintings:
Everson Museum of Art, Syracuse NY
Michener Museum of Art, Doylestown PA
Museum of Fine Arts, Houston TX
Pennsylvania Academy of the Fine Arts, Philadelphia PA
Phillips Collection, Washington DC
Smithsonian American Art Museum, Washington DC
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Portrait of Oliver Parry


Oliver Parry (1794-1874)


This portrait represents the second generation of the Parry family who lived here. The artist is unknown but it is believed to have been done between 1826-1827. Oliver's portrait appears to include watercolor and charcoal.
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Portrait of Oliver Randolph Parry (1873-1958)


Parents Richard Randolph Parry and Ellen Read


David E. Kornhauser
American Artist, 1884 - 1944


Oliver Randolph Parry, 1913
Oil on canvas


David Kornhauser was an American Impressionist & Modern artist.


Several auction houses including Christie's, have sold his paintings and his work is owned by Pennsylvania Academy of the Fine Arts, Philadelphia, PA.
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Portrait of Richard Randolph Parry (1835-1928)


Parents Oliver Parry and Rachel Randolph Parry


Artist Unknown
(Signed M. Wilson)


Richard Randolph Parry, 1880
Oil on canvas


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Portrait of an Officer, American Militia




Artist Unknown


Portrait of an Officer, American Militia, ca. 1795 – 1802
Oil on canvas


The Company of Military Historians attributes the Militia to New Jersey or New York. The name of the officer is unknown.
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Randolph Coat of Arms


Jamais Arrière


A large print of the Randolph family Coat of Arms. This can be translated to "Never Behind".
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Rosewood Piano




This rosewood piano, ca.1865, is by Raven, Bacon & Co. It is not original to the house but is of the time period of the room.


The Parry sisters, Gertrude (d. 1954) and Adelaide (d. 1958), were musically inclined and enjoyed entertaining and playing in this room.


This piano has been silent for many years.
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Settle Table


And Bench


This multi-functional table was made in Skippack, PA in 1795.


The table top is pine and when tilted, forms the back for a two person bench. The top of the bench opens for storage space.
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Settle Table


And Bench


This multi-functional table was made in Skippack, PA in 1795. The table top is pine and when tilted, forms the back for a two person bench. The top of the bench opens for storage space.
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Settle Table


And Bench


This multi-functional table was made in Skippack, PA in 1795. The table top is pine and when tilted, forms the back for a two person bench. The top of the bench opens for storage space.
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Sewing Table


Jane Paxson Parry


Sewing table of mahogany with drop leaves, and a pedestal base.


Inside of the top drawer, there is a label which states, "Jane Paxson Parry Born January 24 - 1767 Wife of Benjamin Parry Born March 1st 1757".
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Sewing Table


Jane Paxson Parry


Sewing table of mahogany with drop leaves, and a pedestal base. Inside of the top drawer, there is a label which states, "Jane Paxson Parry Born January 24 - 1767 Wife of Benjamin Parry Born March 1st 1757".
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Sewing Table


Jane Paxson Parry


Sewing table of mahogany with drop leaves, and a pedestal base. Inside of the top drawer, there is a label which states, "Jane Paxson Parry Born January 24 - 1767 Wife of Benjamin Parry Born March 1st 1757".
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Sheraton Chairs


Marquis de Lafayette (1757-1834)


The painted green Sheraton chairs under each window belonged to Ann Croasdale Jouet Williamson.


They are believed to have been made in New Jersey and were used by her when entertaining General Lafayette during his farewell tour, 1824-1825.


President James Monroe had invited Lafayette to return to the United States to be honored for his service to the Continental Army. Lafayette served under General Washington during the American Revolution.
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Side Chair


Gothic Revival


Gothic Revival has been described as echoing the architecture of cathedrals and churches, projecting an almost religious association.


This interesting chair with carved Gothic finials was made in England, ca. 1860.
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Sideboard


Duncan Phyfe


This Duncan Phyfe mahogany sideboard was not original to the Parry family, but is in the Empire style of the room.


It is very similar to another sideboard given to the Museum of the City of New York by a descendant of Duncan Phyfe.
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Soap Holder




This soap holder is all that remains of the original bathroom, before being transformed into the children's bedroom.
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The Ferry Road




Edward W. Redfield
American Artist, 1869–1965


The Ferry Road, 1932
Oil on canvas


Edward Redfield lived in Centre Bridge, PA from 1898 to 1965. He is considered an Impressionist painter of the New Hope school. While acclaimed as the most "American" artist of the New Hope school, he did join this informal organization of painters because he favored individualism.


He is the most decorated however, winning more awards than any American artist except John Singer Sargent. His work has a recurring theme of Winter, and he is best known for his snow scenes.


Several museums own or have exhibited his paintings:
Allentown Art Museum, Allentown PA
Metropolitan Museum of Art, New York NY
Michener Museum of Art, Doylestown PA
Museum of Fine Arts, Boston MA
Pennsylvania Academy of the Fine Arts, Philadelphia, PA
Phillips Collection, Washington, DC
Smithsonian American Art Museum, Washington DC


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The Lewis Sisters


Limner Painting


A limner painting was an unattributed portrait typically commissioned often as a status symbol of wealth.


These painters typically went going door to door seeking work. Often they would paint faces on pre-painted bodies, accounting for different proportions between head and body. Think of it as "early Photoshop".


These young girls are not Parry descendants, but the painting has been confirmed as of the time period, ca. 1840-1850.
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Trap Door


Benjamin Parry (1757-1839) and Jane Paxson Parry (1767-1826)


In the corner of this room near the cupboard, you can see a section of the floor that has been cut away. In earlier times, this served as a trap door, that led to a cellar stairway where preserves were kept by Jane Paxson Parry.


We also believe the stairway led to a modest wine cellar for Benjamin Parry. Examination of this spot in the basement confirms the door cutout, but the stairway is long gone .
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Travel Boxes


Jane Paxson Parry's Travel Box


A small, black, tin metal travel box, with Jane Paxson Parry's name on the front.
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Untitled Landscape


Hudson Valley School


This large landscape painting, ca. 1865, is oil on canvas. It is attributed to Asher Brown Durand, a well known artist of the Hudson Valley School.


The beauty of the painting is marred by the damaged canvas, resulting from a candle burn. Today, no lit candles are allowed in the Mansion.
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Van Buran


Restored Heritage Timepiece of New Hope's Founding Father


The recently acquired grandfather clock is a significant historical piece originally owned by Benjamin Parry, the "Father of New Hope."


This 200-year-old clock, which had been removed from the mansion over six decades ago, was recovered and restored to its original location. The rededication of this clock was part of the celebrations for Benjamin Parry Day, marking an important event in the museum’s recent history
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Vertical Poultry Roaster




This iron poultry roaster cooked vertically. The iron prongs held the bird upright and it would cook in the open fire. We do not have a date for this roaster but similar ones are dated late 18th century - early 19th century.
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Warming Oven


Heat & Closets


A warming oven, hidden in the home's only closets, kept the heat flowing through the house during the cooler temperatures. Warming ovens were also used for heating water or keeping coals for bed warmers.
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Winter in New Hope




Edward W. Redfield
American Artist, 1869–1965


Winter in New Hope, 1924
Oil on canvas


Edward Redfield lived in Centre Bridge, PA from 1898 to 1965. He is considered an Impressionist painter of the New Hope school. While acclaimed as the most "American" artist of the New Hope school, he did join this informal organization of painters because he favored individualism.


He is the most decorated however, winning more awards than any American artist except John Singer Sargent. His work has a recurring theme of Winter, and he is best known for his snow scenes.


Several museums own or have exhibited his paintings:
Allentown Art Museum, Allentown PA
Metropolitan Museum of Art, New York NY
Michener Museum of Art, Doylestown PA
Museum of Fine Arts, Boston MA
Pennsylvania Academy of the Fine Arts, Philadelphia, PA
Phillips Collection, Washington, DC
Smithsonian American Art Museum, Washington DC



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Wooden Commode


Parry Potty


This American commode was found in the attic of the Parry Mansion. It is not dated but similar ones were popular in the 19th century.


Wooden commodes were used as a type of toilet. They were designed as a piece of furniture with a compartment for the chamber pot. The original "en suite bathroom".
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Wooden Corn Grater




This clever corn grater was made by George Holcombe from Lambertville, NJ in 1825 according to the note glued on the bottom.
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Wooden Corn Grater




This clever corn grater was made by George Holcombe from Lambertville, NJ in 1825 according to the note glued on the bottom.
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Wooden Corn Grater




This clever corn grater was made by George Holcombe from Lambertville, NJ in 1825 according to the note glued on the bottom.
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Chandelier


Waterford


This brass and crystal chandelier, ca. 1850, includes Waterford crystal glass shades and is now electrified.
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Bake Oven




This oven has a small iron door and is located in the upper left of the hearth. The door is adorned with an eagle. Bake ovens were used for baking bread, pies and cakes.
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Bedside Table


Cherry Table with Drawer


Cherry tabel with one drawer, ca. 1790. The maker is unknown but at appraisal it was noted to have been Pennsylvania made.
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Benjamin Parry's Book


Goodsmith's Animated Nature


On top of the cherry bedside table is a book that belonged to Benjamin Parry. The book, Goodsmith's Animated Nature, is signed by him and dated 1796.
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Benjamin Parry's Desk


Chippendale Mahogany Secretary


This secretary desk, ca. 1810, has a short front base with four drawers and bracket feet. The desk folds down onto two side arms, which are located on the first drawer. The left door has a note, written by Richard Randolph Parry, which states, "My Grandfather's Benjamin Parry's Secretary".
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Benjamin Parry's Travel Desk


19th Century Laptop


A light brown portable desk, ca. 1800, was used by Benjamin Parry while creating new innovations. Upon opening the top over, the desk reveals a series of compartments and a radiant green baize (finely woven wool) writing surface. The baize acts as a cushion for the quill, allowing ink to flow more evenly on to the paper. This allowed Benjamin Parry to easily work while traveling between his mills and other business interests.
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Bible


Rachel Randolph Parry


This bible was originally presented to Rachel Randolph Parry, by her father Edward Fitz Parry. It is now encased in an embroidered cover, with Oliver Randolph Parry's initials.
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Dough Trough


And Table


Originating in Europe, these tables are credited to arriving in this country by the Pennsylvania Dutch in the 1700s. This pine table is ca. 1810 and is thought to have been made in Carversville, PA. The dough trough was was filled with ingredients, then the kneading and rising would follow several times. After the final rise it was shaped and put in the oven to bake.
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Early Toaster




This iron toaster from the early 18th century could toast multiple pieces of bread at once. Bread slices would be inserted and the toaster moved close to the fire. Almost all bread during this period, except freshly backed, was toasted. This was prior to preservatives and toasted bread was a way to prevent it from going bad.
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Empire Coal Stove


New Heating System


This opulent coal stove is adorned with an American Eagle. It was made by Low & Leake, ca. 1845. It like all the coal stoves in the home, were installed in the original fireplaces and greatly improved the home's warmth. The majority of the heat from a fireplace goes out directly in front of the fireplace, leaving the rest of the room fairly cold. Coal stoves allowed more heat to radiate to a larger area. During this time coal was becoming very popular and the stoves more highly decorated with intricate ironwork.
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Gentlemen's Travel Set


General Jose de la Mar


This travel set is reminiscent of a typical travel set during this period. It contains all that a gentleman would need for personal grooming and comfort. This set has an engraved plate showing the name General Jose de la Mar. He was a prominent Peruvian military leader and politician, serving as the third President of Peru from 1827 to 1829. Before his presidency, he was involved in the Spanish War of Independence against Napoleon.
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Jane Paxson Parry's Footstool


Small Wooden Footstool


A small, wooden footstool, which belonged to Jane Paxson Parry. Underneath the base, there is a note by Richard Randolph Parry, which states, "Jane Paxson Parry Born January 24 - 1767 Wife of Benjamin Parry Born March 1st = 1757".
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Map of Parry Family Properties


Parry Holdings


This map was created by Benjamin Parry himself and is dated 1798. It focuses on all of the properties owned by the Parry family, located in Bucks County, New Hope, Pennsylvania.
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Parry Bed


Secret Compartment


This bed, ca. 1840, was moved from Oliver and Rachel Randolph Parry's house in Philadelphia, PA to the Parry Mansion. The posts had to be cut down to fit this room. According to Parry family legend, there is a secret compartment hiding within this bed. However, we have not yet been unable to solve the mystery.
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Parry Coat of Arms


Gofal Dyn Duw Al Gwerid


A large print of the Parry family Coat of Arms. This can be translated to "A Prudent Man God Will Guard".
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Parry Trunk


R & J PARRY. NEW HOPE BUCKS CO.


A large, leather Parry trunk, with a missing handle. This trunk originally had a canvas cover, stamped "R & J PARRY, NEW HOPE BUCKS CO." This trunk was believed to have belonged to Ruth and Jane Parry, daughters of Benjamin and Jane Paxson Parry. The sisters were unmarried and moved out of Parry Mansion in the winters, moving to a rooming house in Lambertville. The trunk was later used by other members of the Parry family. A travel tag was located in the trunk and is estimated to be from late 1800's. It is addressed to a descendent of Oliver Randolph Parry and states,
"For Oliver P. Tatum Jr.
1823 Arch St.
Phila
c/o Dr. T. Mason McCollin
From MARIS BROTHERS
Cranes,Portable Hoists,Overhead
PHILADELPHIA, PA."
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Portraits of Benjamin Parry


Benjamin Parry (1757-1839)


This portrait represent the first generations of the Parry family who lived here. The artist is unknown, but it is believed to have been created between 1826-1827. Benjamin's portrait is a watercolor.
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Portraits of Oliver Parry


Oliver Parry (1794-1874)


This portrait represents the second generation of the Parry family who lived here. The artist is unknown but it is believed to have been done between 1826-1827. Oliver's portrait appears to include watercolor and charcoal.
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Randolph Coat of Arms


Jamais Arrière


A large print of the Randolph family Coat of Arms. This can be translated to "Never Behind".
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Randolph Coat of Arms


Jamais Arrière


A large print of the Randolph family Coat of Arms. This can be translated to "Never Behind".
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Rosewood Piano




This rosewood piano, ca.1865, is by Raven, Bacon & Co. It is not original to the house but is of the time period of the room. The Parry sisters, Gertrude (d. 1954) and Adelaide (d. 1958), were musically inclined and enjoyed entertaining and playing in this room. This piano has been silent for many years.
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Settle Table


And Bench


This multi-functional table was made in Skippack, PA in 1795. The table top is pine and when tilted, forms the back for a two person bench. The top of the bench opens for storage space.
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Settle Table


Gofal Dyn Duw Al Gwerid


A large print of the Parry family Coat of Arms. This can be translated to "A Prudent Man God Will Guard".
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Sewing Table


Jane Paxson Parry


Sewing table of mahogany with drop leaves, and a pedestal base. Inside of the top drawer, there is a label which states, "Jane Paxson Parry Born January 24 - 1767 Wife of Benjamin Parry Born March 1st 1757".
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Side Chair


Gothic Revival


Gothic Revival has been described as echoing the architecture of cathedrals and churches, projecting an almost religious association. This interesting chair with carved Gothic finials was made in England, ca. 1860.
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Sideboard


Duncan Phyfe


This Duncan Phyfe mahogany sideboard was not original to the Parry family, but is in the Empire style of the room. It is very similar to another sideboard given to the Museum of the City of New York by a descendant of Duncan Phyfe.
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Soap Holder




This soap holder is all that remains of the original bathroom, before being transformed into the children's bedroom.
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Soap Holder




This soap holder is all that remains of the original bathroom, before being transformed into the children's bedroom.
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The Lewis Sisters


Limner Painting


A limner painting was an unattributed portrait typically commissioned often as a status symbol of wealth. These painters typically went going door to door seeking work. Often they would paint faces on pre-painted bodies, accounting for different proportions between head and body. Think of it as "early Photoshop". These young girls are not Parry descendants, but the painting has been confirmed as of the time period, ca. 1840-1850.
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Travel Boxes


Jane Paxson Parry's Travel Box


A small, black, tin metal travel box, with Jane Paxson Parry's name on the front.
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Untitled Landscape


Hudson Valley School


This large landscape painting, ca. 1865, is oil on canvas. It is attributed to Asher Brown Durand, a well known artist of the Hudson Valley School. The beauty of the painting is marred by the damaged canvas, resulting from a candle burn. Today, no lit candles are allowed in the Mansion.
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Van Buran


Restored Heritage Timepiece of New Hope's Founding Father


The recently acquired grandfather clock is a significant historical piece originally owned by Benjamin Parry, the "Father of New Hope."


This 200-year-old clock, which had been removed from the mansion over six decades ago, was recovered and restored to its original location. The rededication of this clock was part of the celebrations for Benjamin Parry Day, marking an important event in the museum’s recent history
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Vertical Poultry Roaster




This iron poultry roaster cooked vertically. The iron prongs held the bird upright and it would cook in the open fire. We do not have a date for this roaster but similar ones are dated late 18th century - early 19th century.
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Warming Oven


Heat & Closets


A warming oven, hidden in the home's only closets, kept the heat flowing through the house during the cooler temperatures. Warming ovens were also used for heating water or keeping coals for bed warmers.
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Wooden Commode


Parry Potty


This American commode was found in the attic of the Parry Mansion. It is not dated but similar ones were popular in the 19th century. Wooden commodes were used as a type of toilet. They were designed as a piece of furniture with a compartment for the chamber pot. The original "en suite bathroom".
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Wooden Corn Grater




This clever corn grater was made by George Holcombe from Lambertville, NJ in 1825 according to the note glued on the bottom.
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Benjamin Parry's Clock


Restored Heritage Timepiece of New Hope's Founding Father


The recently acquired grandfather clock is a significant historical piece originally owned by Benjamin Parry, the "Father of New Hope."


This 200-year-old clock, which had been removed from the mansion over six decades ago, was recovered and restored to its original location. The rededication of this clock was part of the celebrations for Benjamin Parry Day, marking an important event in the museum’s recent history
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Children's Bedroom (1875 - 1900)




This was the first bathroom in the house, installed around 1940. Prior to that, there were outhouses on the side of the house next to the Aquetong Creek. Plumbing came late to New Hope, not until around 1938. When the Historical Society came into ownership of the house, it was refurnished to depict a child’s bedroom. We assume it was a small bedroom before becoming the bathroom.
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Colonial Bedroom (1775 - 1800)


Benjamin Parry's Office


This room is now furnished as an early bedroom but it is believed that Benjamin Parry used this room as an office and paid his workers right here in this room. Workers from his Mill, now the Bucks County Playhouse, would come up these back stairs to be paid. They could then go shopping at the General Store, also owned by Benjamin, now Farley’s Bookstore. From these windows he could see the activity of his businesses.


Benjamin married Jane Paxson in 1787, a local woman from a prominent family. The US capitol was still located in Philadelphia at this time, and Benjamin Parry and Jane frequently traveled back and forth by carriage from New Hope to Philadelphia. Benjamin owned a flour-exporting business in Philadelphia that was located just one block from Benjamin Franklin’s home.
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Dining Room (1825-1850)


Empire Period


The Dining Room is furnished in the Empire style. The Empire style originated in France during the rise of Napoleon Bonaparte. It is known as a more opulent and grander style. Duncan Phyfe also made furniture in this style, moving from the Federal style to Empire style. This room was the original kitchen but converted to a Dining Room when an addition was added to the Mansion ca. 1830. A large walk-in fireplace is behind the wall of the existing coal stove.
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Drawing Room (1800-1825)


Federal Period


The Drawing Room, also known as the Federal Parlor, is furnished in the Federal style. The Federal style is uniquely American. Furniture makers during this period created popular styles of their own and include, among others, Hepplewhite, Sheraton, Adams, Duncan Phyfe. This room was the original dining room of the Mansion.
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Empire Bedroom (1825 - 1850)




The décor and furniture in this room are similar to those in the Dining Room downstairs.


The Parry’s were moving around quite a bit by this time. By this point, the Mansion functioned largely as a weekend home for the family.
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Entrance Hall (1775-1800)




The entrance hall represents the earliest period of the house, 1775-1800. The layout is classic Georgian style, with the large center hall and rooms on either side. The front and back door retain their original hardware and locks. The sisal carpeting on the stairs and upper hall was a popular 18th century form of floor covering. The art on the walls has changed over the years reflecting the many generations who lived here.
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Federal Bedroom (1800-1825)




This room is by no means the grandest room in the house as it has the smallest fireplace but contains the only closets in the home.


Benjamin Parry and Jane Paxson had four children, three girls and one boy. The girls never had any children. The line descends from Oliver, who with his wife, Rachel, went on to have 12 children. Rachel herself was the youngest of 15 children.
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Gilt Convex Girandole Mirror


New Lighting Invention


Girandole mirrors have projecting curved arms for holding candles. This new design increased the light by having the candles reflected in the mirror. In addition, the convex shape of the glass causes light rays to spread after reflection. Many were topped with an eagle finial as is this one. This mirror is ca. 1810.



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Gold Frame Painting


Restored Heritage Timepiece of New Hope's Founding Father


The recently acquired grandfather clock is a significant historical piece originally owned by Benjamin Parry, the "Father of New Hope."


This 200-year-old clock, which had been removed from the mansion over six decades ago, was recovered and restored to its original location. The rededication of this clock was part of the celebrations for Benjamin Parry Day, marking an important event in the museum’s recent history
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Music Room (1850-1875)


Victorian Period


This was an age of rich, dark colors with a tendency towards overcrowding of furniture and decorative objects. There was also a Gothic Revival during this time, sometimes called Victorian Gothic or neo-Gothic .
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New Kitchen


Colonial Period (1775-1800)


The original Parry Mansion was built in 1784 with the original kitchen being where the Dining Room is now. Needing more space, an addition was added ca. 1830. This addition housed the "new" kitchen and a room above. After the New Hope Historical Society purchased the Mansion, this new kitchen was furnished with many objects and kitchen tools that would have been used in the original kitchen. Working in a kitchen like this was very dangerous and burns were frequent. Women handled the majority of the cooking and woolen skirts were common even in the summer as wool was less flammable.
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Portrait of Ann Croasdale Jouet Williamson


Ann Croasdale Jouet Williamson (ca. 1788-1853)


Ann Croasdale Jouet Williamson (name variation includes Anne Crossdale) was married to Issac Halstead Williamson. He was the Governor of New Jersey and served from 1817 to 1829. This oil on canvas painting is dated 1816. Artist unknown.
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Portrait of Jane Paxson Parry Maule (1899-1989)


Parents Charles Maule and Elizabeth Randolph Parry


Ann Garrett Hudgins
American Artist, 1897-1972


Jane Paxson Parry Maule, 1924
Oil on canvas


This painting was exhibited at the Annual Exhibition, 1926, Pennsylvania Academy of the Fine Arts, Philadelphia, PA. Jane was 24 years old at the time of this portrait and married to George Willcox McIver Jr. Both her maiden name and married name are on the back of the portrait. Her second marriage was to Drummond W. Little.
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Portrait of Margaret Parry Lang (1901-1985)


Parents Oliver Randolph Parry and Lida Mae Kramer


John Fulton Folinsbee
American Artist, 1892-1972


Margaret Parry Lang, Date Unknown
Oil on canvas


Margaret Parry Lang was the last Parry descendant to live in Parry Mansion. She sold the Mansion to the New Hope Historical Society in 1966.


John Folinsbee lived in New Hope, PA from 1916 to 1972. He and his wife, Ruth, participated in the founding of the Phillips' Mill Art Association in 1929. He is considered a member of the group of Impressionist painters now known as the New Hope school. Primarily a landscape painter, he also did portraits.


Several museums own or have exhibited his paintings:
Everson Museum of Art, Syracuse NY
Michener Museum of Art, Doylestown PA
Museum of Fine Arts, Houston TX
Pennsylvania Academy of the Fine Arts, Philadelphia PA
Phillips Collection, Washington DC
Smithsonian American Art Museum, Washington DC
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Portrait of Oliver Randolph Parry (1873-1958)


Parents Richard Randolph Parry and Ellen Read


David E. Kornhauser
American Artist, 1884- 944


Oliver Randolph Parry, 1913
Oil on canvas


David Kornhauser was an American Impressionist & Modern artist.


Several auction houses including Christie's, have sold his paintings and his work is owned by Pennsylvania Academy of the Fine Arts, Philadelphia, PA.
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Portrait of Richard Randolph Parry (1835-1928)


Parents Oliver Parry and Rachel Randolph Parry


Artist Unknown
(Signed M. Wilson)


Richard Randolph Parry, 1880
Oil on canvas



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Portrait of an Officer, American Militia




Artist Unknown


Portrait of an Officer, American Militia, ca. 1795 – 1802
Oil on canvas


The Company of Military Historians attributes the Militia to New Jersey or New York. The name of the officer is unknown.
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Sheraton Chairs


Marquis de Lafayette (1757-1834)


The painted green Sheraton chairs under each window belonged to Ann Croasdale Jouet Williamson. They are believed to have been made in New Jersey and were used by her when entertaining General Lafayette during his farewell tour, 1824-1825. President James Monroe had invited Lafayette to return to the United States to be honored for his service to the Continental Army. Lafayette served under General Washington during the American Revolution.
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The Ferry Road




Edward W. Redfield
American Artist, 1869–1965


The Ferry Road, 1932
Oil on canvas


Edward Redfield lived in Centre Bridge, PA from 1898 to 1965. He is considered an Impressionist painter of the New Hope school. While acclaimed as the most "American" artist of the New Hope school, he did join this informal organization of painters because he favored individualism. He is the most decorated however, winning more awards than any American artist except John Singer Sargent. His work has a recurring theme of Winter, and he is best known for his snow scenes.


Several museums own or have exhibited his paintings:
Allentown Art Museum, Allentown PA
Metropolitan Museum of Art, New York NY
Michener Museum of Art, Doylestown PA
Museum of Fine Arts, Boston MA
Pennsylvania Academy of the Fine Arts, Philadelphia, PA
Phillips Collection, Washington, DC
Smithsonian American Art Museum, Washington DC


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Victorian Bedroom (1850 - 1875)




This Victorian bedroom is much brighter and lighter than the corresponding parlor downstairs. The classic floral design fitted carpet, the wallpaper, and delicate lace window curtains are reproductions made from original designs of the period.


By this time, the twelve children were grown up and were busy making their way in the world, some becoming local doctors or bankers in the Midwest and busy starting families of their own. They would often come and go between Philadelphia and New York as their travel schedules allowed. Fourth-generation sisters, Gertrude and Adelaide lived in the mansion as full-time residents.
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Winter in New Hope




Edward W. Redfield
American Artist, 1869–1965


Winter in New Hope, 1924
Oil on canvas


Edward Redfield lived in Centre Bridge, PA from 1898 to 1965. He is considered an Impressionist painter of the New Hope school. While acclaimed as the most "American" artist of the New Hope school, he did join this informal organization of painters because he favored individualism. He is the most decorated however, winning more awards than any American artist except John Singer Sargent. His work has a recurring theme of Winter, and he is best known for his snow scenes.


Several museums own or have exhibited his paintings:
Allentown Art Museum, Allentown PA
Metropolitan Museum of Art, New York NY
Michener Museum of Art, Doylestown PA
Museum of Fine Arts, Boston MA
Pennsylvania Academy of the Fine Arts, Philadelphia, PA
Phillips Collection, Washington, DC
Smithsonian American Art Museum, Washington DC



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